END OF SPRING, 1930

END OF SPRING, 1930

~Mary Cassatt

 

The white-gowned girl is running away

from you. She has curly blonde hair.

Her feet are bare. Her pink sash

is untied and trails behind.

In her left hand she carries a yellow

basket, filled with a blur of green.

To her right, a lilac in full bloom,

each blossom rendered with careful

detail. You can hear her mother

calling on the hilltop behind you, 

but there’s something about the way

the child is moving. You know

she will not turn back.

Advertisements

THE FEAST OF ST. WALPURGA

THE FEAST OF ST. WALPURGA

 

I have just returned

but before I sleep

I must record.

 

The moon was dark,

the sky was clouded.

Earthscent was rising

 

up from the valley

into the cold air

along the ridge.

 

We came in our silence,

lit the fire in silence. 

When they arrived,

 

we sang the words

to set them free.

While we waited then

 

for the flames to die,

while we waited

in our silence

 

with the long darkness

around us, a pair

of owls called 

 

from the forest

down in the trees.

A good omen

 

for the season to come.

The flight home

was uneventful.

APRIL 10, 2019: REPORT

April 19, 2019: REPORT

 

Here in Vermont, for instance, it’s Spring. 

A robin sings in the scraggly pines

next to the drive. The sun rises through deep

pink cloud, so rain coming. Daffodil spikes,

free at last from the long weight

of snow, have pushed up through the mass of flat

leaves out by the mailbox.The dog says 

a rabbit, or something, under the yews.

The house smells like fresh coffee. The ink flows

easy, like the inconsequential

run-off brook through the woods beside the house.

The house still stands.

EVERGLADES #5

EVERGLADES #5:  May 

 (sawgrass and oil on road-kill alligator hide)

~Ray Hudson, 2017

The birds have gone.

No golden-slippered egret,

no blue-eyed cormorant,

no wading stork shielding

dark water with her wings.

Silence is absolute.

 

Mangroves 

are weary, dusty.

In the fetid pools,

mosquitoes awaken.

Already the air

is thick with heat.

 

Alligator spoor—

dinosaur track,

tail-drag—

marks the muddy flats

like the handwriting

of the blind.

RESETTING

RESETTING

1.

Not the old patterns,

but variations printed on different cloth. 

Orange fleece instead of black wool.

The kind of comfortable shoes, but red.

Yellow candles.

The same time, but silence instead.

Most of the people, but not all.

What the crows talk about.

Where the bobcat crosses the road.

Music in a different key.

Cypriot O Antiphons,

Ride of the Valkyrie.

Black currant juice, rye bread.

Things that smell like roses.

White tulips. Marigolds.

WRITING ABOUT JESUS

WRITING ABOUT JESUS

~feast of the Annunciation

 

The rules don’t measure.

The untouchable saves you

and you must do the same.

Thieves and beggars at the banquet, 

obedient sheep abandoned to wolves, 

so much wasted seed.

 

Today the sun is warm on my back.

I’m waiting at the café, for my friend.

 

Star in the East

adorns the horizon,

guides around the globe to everywhere

the redeemer is laid.

That which was before the beginning,

contains the whole,

there is nothing drifting sideways 

at some unspeakable

angle, far from the fields

of gravity and love.

 

Hail Mary, 

Fear not.

Everything

matters.

 

A woman talking on her phone in the corridor 

makes a silhouette against the light.

 

The firstborn 

made flesh.

The only story 

is ours.

 

Creeds lean away, defining.

One substance—what else?

One essence, one congealment.

Do you understand?

m=E divided by the constant

through whom we live and move.

 

The sun is warm on my back and 

I must shade the page to see. 

For the time being, 

there is nothing between me and the light.