THE OLD LADY DISCOVERS FACEBOOK AND OFFERS A SORT OF APOLOGY

THE OLD LADY DISCOVERS FACEBOOK

AND OFFERS A SORT OF APOLOGY

All you want to do

is touch.  It used to be easy,

while winnowing grain or stalking beasts.

Your bodies remember 

the smell of sweat in the longhouse,

gossip by the well, 

embraces under the trees.

   

Once you spoke while hanging wash

or mending nets or minding babies

or scything hay or boiling sap

or making shoes or spinning thread

or pounding nails or stitching quilts.

Now

you are scattered like chaff,

dispersed as hunted game,

 

and so are we.    

 

Oh, children, do not complain at us!

We are as exiled as you.

Like you we want to find our friends

and digging is so hard.

Disembodied

as you, we post lines 

and flickers to our tornaway tribes.  

Now the ether carries in bits

our sketchy sentences, our loneliness,

tears that this strange communication

without skin or breath can maybe begin to mend.

 

I wrote this years ago, when I first joined facebook. Now that I’ve deleted my account, I find  it intriguing that this was the original intent.

March Prompt #10: The Chilean Skeleton

THE CHILEAN SKELETON

March Prompt #10

There was nothing to do but baptize it—

God forgive me—that tiny dead thing.

It was still warm, still damp with its mother’s

blood. They were afraid to wash it,

she said, afraid the water would kill it

before they could get it here, to save

its soul. The least they could do, they said.

She kept crossing herself, the grandmother

who brought it to the church. She kept

crying, afraid the girl had sinned, afraid

she herself had sinned. I did what I could.

I blessed her. I lighted candles for the girl.

I washed the little thing in clean water,

sealed it with the cross, wrapped it

in a linen cloth. I offered to bury it,

but the grandmother said they’d see to that.

It’s what women do, she said.

OLD GODS

OLD GODS

Eventually everyone abandons

old gods. The Romans did, the Greeks, the Goths.

Poor Jupiter, sad Gaut— swallowed like Metis,

or like Persephone, exiled underground.

Great Pan is dead. There is nothing new under

Helios, or Ra, or any ball

of burning gas. Old gods, all gods, are

nothing but constructions of finitude.

What is, defies each attempt. Even

the atheists fail, their ridicule grasping

straw. But still, transcending all the light

of each imagined form, outlying limits

of sense, that surface of last scattering—

there is nothing but a kindlier dark.

WHAT I DID AFTER YOU LEFT HOME

WHAT I DID AFTER YOU LEFT HOME

Went to New Orleans,

walked alone in the early morning.

They were opening windows,

washing down the streets.

Are you ready, M’am?

An old man stood on the cobblestones,

beaming in the steaming light.

He held reins in one crinkled hand,

extended the other to me.

His brown horse shook its head, bells rang.

Ready?  For what?

 

Are you ready for a buggy ride?

I had not planned to act like a tourist,

but how could I do otherwise

in this unexpected land, this place I’ve never seen?

The people sitting above the tall red wheels

were talking and laughing together

like people in a painting, or a play.

The driver cocked his head, waiting for my answer.

I asked the cost.

There was no reason to refuse.

 

I placed my damp white hand in his,

my hand with the split lifeline,

the single crack foretelling a single child.

Twenty years ago a sibyl read my palm:

You’ll live long, but two lives, different.

You’re a musician.  And try not to be so stingy.

Yes of course I’m ready, I told him.

Boost me up.

 

You, I’m afraid, would have been

disdainful, cool.  You would not

have approved of me,

sweating in my purple dress,

gawking, singing along,

leaning out behind the horse’s bobbing feathered head

above the spinning wheels

in that impressionistic light.

 

I felt a city dawn that day,

saw men in stiletto heels and black stockings 

prancing down the shining sidewalks,

artists reaching for long moist shadows,

women like statues, painted gold.

The city smelled like fresh coffee,

sour beer, things frying in lard.

On every bright wet corner

were little children, dancing.

 

 

I wrote this a long time ago, in response to the Empty Nest. It ended up being a performance piece.

 

March 24–November 16, 1999;  Jan. 30–April 20, 2001

Quatrain Chapbook:   Sing in me, Muse, Feb. 2005

IN THE CAFÉ: TRYING FOR ENLIGHTENMENT

IN THE CAFÉ: TRYING FOR ENLIGHTENMENT

~it’s like soldiers in combat—they’re scared, but they do their mission.

~a fragment overheard

 

It’s like that Hospice nurse with her to-go

latte. It’s like the pediatrician

with the plain blue mug. Who knows what they’ll see

today? It’s like that schizophrenic friend

of mine who time after time tells himself

the voices are demons Jesus casts out.

 

Look at them, will you? And tell me

you’re the only one. Oh somewhere in this

favored world the sun is shining bright—is

it here, where the north wind finally blew

away the ridiculous autumn heat,

where I can sit at a sidewalk table

 

and listen to psychobabble while I

pretend to be writing in a notebook?

 

 

September 10, 2015

April Prompts #25

April Prompts #25

Kari’s #3:  people with animal or insect characteristics

 

HOARDINGS

 

Under the eaves,

in an abandoned robin’s nest,

a flying squirrel stashes mushrooms.

 

Chipmunks carry acorns,

sunflower seeds, kernels of corn

to hoard in their holes under the garage.

 

Cherry pits

in the mitten basket,

behind the cookbooks.

 

Between the rafters

dog kibble

piled in fiberglass nests.

 

In the freezer,

blueberries and broccoli,

applesauce and greens.

 

On the shelves,

jars of pickles, pails of honey,

bottles of water, cans of beans.