THE LAST SONG

Last night, the chorus I sing in had its last practice with our long-time conductor. I wrote this this morning, thinking of her and our time together:

 

THE LAST SONG

~for Susan Borg

Every song is the last.

How can I keep from singing

that group in the church loft,

remember? and we stopped

and looked around, amazed.

No audience but ourselves.

Francois and Chuck over the rainbow,

with tears in their eyes and our eyes.

Hallelujah on New Year’s Eve

and the audience sang, too.

Hearth and Fire that last night,

all together, my voice breaking

as I met your eyes. Every song

is the last—each song, each time,

these singers, where they are,

what they carry, what they hold,

what they let go.

THE STORYTELLER

THE STORYTELLER

Oh, the wildness of the teller in her cave of bone!

She finds dragons in stumps, faces in every carpet.

 

The smell of whisky, the texture of satin,

a whisper behind a half-closed door,—

 

how will she make it cohere?

Was it once upon a time, or ever after? 

 

Snakes and bears are real enough,

and mirrors trying to reflect what’s fair.

 

She searches her fallible senses

entwined with shadowed remembrances

 

and pieces a pattern, a dream, a tale— something

that might be true, or that someone might believe.

NOT POETIC

 

 

NOT POETIC

~after a discussion with fellow poets about the uses of euphemism 

If shit’s not a poetic word,

then how about excrete?

How else can one describe what’s left

of things we creatures eat?

 

For water one must often “make”

urine ‘s not elegeeic;

and piss though not poetic,  

is onomatopeeic.

 

I’m sorting through my old poems and posting a few that I still like. Including this naughty one, written maybe nine years ago.

March Prompt #8: Art Mangling

ART MANGLING

March Prompt #8

90% of everything is crap.

   ~Sturgeon’s Law

Crumpling works for poems and stories and manuscripts,

for drawings and lighter paintings, too, perhaps.

Crumpling and tossing, with a flourish, into the basket,

and missing sometimes, so that the floor

is dramatically, artistically strewn. Later,

one’s lover can retrieve a piece, smooth

it out and say, “Why, this is genius!”

and the rest is history.

 

Burning is excellent. Oh, the notebooks and canvases

crackling in flame while one cackles

and takes long swigs from a bottle of red wine!

Bonfires are best. Small fires on the edge

of the driveway arose the suspicions of neighbors.

Is there genius feeding the fire?

Who knows? Who cares?

One can always claim that, in after years.

PERSEPHONE’S WISH SONG

 

PERSEPHONE’S WISH SONG

 

I will not be forever

maiden—that flimsy dress,

the little bouquet.

I am tired, so tired of helping

Mother with the spring.

Nor do I want to sit, solemn,

beside my ancient lord.

I am too old to be innocent,

too young to be still.

 

I want to be Queen of November,

Queen of March,

of coming snow and melting snow,

of browning leaf and stirring root.

Queen of half-moon, gibbous moon.

Queen of labor room, death bed,

first cry,  last word.

 

I want long bright corridors,

doors and windows open

to the music of water

and changing wind.

A land where every step is new.

 

I want to be Queen

of sketchbook, unrehearsed script,

melody stirring in the throat.

Queen of poems that twitch

just out of reach,

Queen of stories emerging

from the dark.

March Prompts #2: ON CLOCKS

ON CLOCKS

~a response to yet again another daylight saving time hangover

Clocks should be limp, like Dali’s,

should flow into the tunes we sing,

the love we make. Clocks should

liquify and drip from the eaves,

turn to jelly and ooze through cracks

in walls and floors.  Clocks should be

loose, relaxed, rubbery, unsettable.

Clocks should be like glue, like wicking,

like olive oil.  Clocks should be

controlled only by cats or lazy dogs.

ARRIVAL:  on quitting facebook, part III

ARRIVAL:  on quitting facebook, part III

The Muses come in silence.

You must sit still and wait.

For a long time, you must sit.

They come in your grief

when the world is cracking open,

when you wake in the moonlight

and your heart is afraid.

They come in your solitude

when all your doors are closed

and even the cats are asleep.

After a long time they come,

and make music from the tears.